The fauteuil transatlantique, or in English The Transatlantic Chair--Transat Chair for short--was designed between 1925 and 1927 by Irish furniture designer and architect Eileen Gray for use on the terrace at her Villa E.1027 house at Cap Martin, Roquebrune between Monaco and Menton.
Considering that Gray designed her villa to resemble a Transatlantic ship, it takes as its starting point transatlantic steamship travel and the deckchairs used on such ships. It was also chosen by Ekart Muthesius to furnish the palace of the Maharajah of Indore during the same period. The wooden side frames are designed with rigorous geometry, tenon joints and chromed brackets. The seat is reminiscent of a deckchair's sling with a pivoting head section. I will be featuring Gray's villa in upcoming installation of Famous Houses but for now, let's relax in this sumptuous modernist deckchair.
Here it is in situ at the villa.
It pops up in some very high end modernist homes, like this one by Lebanese designer Claude Missir (seen with a De Sede Terrazza sofa in the background, previously here)...
...and this lovely streamlined Belgian chalet by architect Maarten Van Severen.
In the UK, the chair can be purchased in leather or hair-on-hide through ARAM. Licensed versions of the chair are available world-wide through Ralph Pucci.
Happy designing!
Showing posts with label Eileen Gray. Show all posts
Showing posts with label Eileen Gray. Show all posts
Monday, April 5, 2021
Monday, June 27, 2016
History of Furniture: The Eileen Gray Side Table
For this installment of The History of Furniture, let's take a look back at a staple of modernist design, the Eileen Gray Side Table.
Between 1926 and 1929, Irish interior and furniture designer and architect Eileen Gray (above) collaborated on the design and construction of a modernist villa with her lover, the French architect Jean Badovici. Located in Roquebrune-Cap-Martin in the south of France, the house was very forward-looking with a flat roof and floor to ceiling glass windows to take advantage of the views of the Mediterranean. Gray named it the E-1027 “Maison en bord de mer” house, a name which contained a secret code: E for Eileen, 10 for Jean (J is the tenth letter of the alphabet), 2 for Badovici and 7 for Gray.
For this home, Gray designed the interiors and pieces of furniture as well. And one of the most enduring of her designs is the iconic side table she created for her sister, who liked to have breakfast in bed. The table has an open circular base that allows it to slip under a bedside or sofa, letting the user bring it as close as possible. For maximum function, the table itself adjusts up and down. Featuring a tempered glass top, the body is made of stainless steel, inspired by some of the tubular steel experiments of Marcel Breuer at the Bauhaus (previously here).
Here is an archival photo of the table in situ at the E-1027 house in 1929!
As you can see, the design, while minimal and streamlined, is timeless and can go with furnishings from the 1930s, the 1960s or 70s, or with any current styles. It is a perfect accent or occasional table.
The table is now produced by ClassiCon, under authorization of The World Licence Holder Aram Designs Ltd, London. Design Within Reach is an authorized dealer as well.
Happy designing!
Between 1926 and 1929, Irish interior and furniture designer and architect Eileen Gray (above) collaborated on the design and construction of a modernist villa with her lover, the French architect Jean Badovici. Located in Roquebrune-Cap-Martin in the south of France, the house was very forward-looking with a flat roof and floor to ceiling glass windows to take advantage of the views of the Mediterranean. Gray named it the E-1027 “Maison en bord de mer” house, a name which contained a secret code: E for Eileen, 10 for Jean (J is the tenth letter of the alphabet), 2 for Badovici and 7 for Gray.
For this home, Gray designed the interiors and pieces of furniture as well. And one of the most enduring of her designs is the iconic side table she created for her sister, who liked to have breakfast in bed. The table has an open circular base that allows it to slip under a bedside or sofa, letting the user bring it as close as possible. For maximum function, the table itself adjusts up and down. Featuring a tempered glass top, the body is made of stainless steel, inspired by some of the tubular steel experiments of Marcel Breuer at the Bauhaus (previously here).
Here is an archival photo of the table in situ at the E-1027 house in 1929!
As you can see, the design, while minimal and streamlined, is timeless and can go with furnishings from the 1930s, the 1960s or 70s, or with any current styles. It is a perfect accent or occasional table.
The table is now produced by ClassiCon, under authorization of The World Licence Holder Aram Designs Ltd, London. Design Within Reach is an authorized dealer as well.
Happy designing!
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