When selecting white marble for interiors, the standout marbles are certainly Carrara, Calacatta, and Statuario. While they all come from the storied quarries of the Apuan Alps in the Carrara region of Tuscany, each type of marble has a distinct personality — and choosing the right one can have a major impact on both aesthetics and budget.
First, Carrara marble is perhaps the most familiar and accessible of the three. Quarried from the vast network of marble sites around Carrara, it often carries a soft white to pale-gray background with delicate, feathery gray veining. Its more muted pattern gives it an understated elegance, making it a favorite for large surfaces like flooring or classic bathroom vanities. Because Carrara is quarried in relatively large quantities, it is also the most budget-friendly option: depending on grade and supplier, material prices (without installation) often range from around $40–$80 per square foot, though higher-end slabs can go up to or even beyond $120.
In contrast, Calacatta marble is the flamboyant, statement-making cousin. Also coming from the Carrara region, but from rarer, more exclusive quarry zones, Calacatta features a much brighter, whiter background and large, bold veins in grey, gold or even beige (called Calacatta Oro). That dramatic veining makes Calacatta highly prized for high-impact design: think kitchen islands, fireplace surrounds, or feature walls. But that rarity comes at a cost. True, Italian Calacatta slabs typically run from $175–$200 or more per square foot even for the raw material, per current market estimates.
Then there’s Statuario marble, which occupies a special place in the pantheon of luxurious Italian stone. Extracted from quarries in the Apuan Alps (especially near Seravezza), Statuario is prized for its luminous, near-pure white base and its fine, yet striking, grey veining — sometimes referred to as “venato” when the veins are bolder. This marble has traditionally been used for statuary (hence its name) because of its fine crystal structure and ability to take a high polish. Because of its relative rarity and the beauty of its veining, Statuario tends to fall in a high-end price bracket: common slab prices are often cited in the $50–$125 per square foot range, though premium or particularly rare varieties may go higher.
From a maintenance perspective, all three marbles demand care. Like all marbles, they are porous, and vulnerable to etching from acidic substances, so sealing is non-negotiable. For both Carrara and Calacatta, stone fabricators generally recommend resealing every six to twelve months, especially in heavily used areas like kitchens. Cleaning should be done with a pH-neutral stone cleaner or mild soap and water; avoid any abrasive or acidic cleaners. For Statuario, the same rules apply — but many over time prefer to use honed rather than polished finishes, as the matte surface can mask wear and etching more gracefully while still delivering its signature refined look.
In short: Carrara is your elegant workhorse — versatile, soft, and relatively affordable. Calacatta is for the design risk-takers, those who want drama and a bold focal point. Statuario offers a rare balance of purity and sophistication, combining a crisp white ground with refined veining in a way that feels quietly luxurious. Your choice will ultimately depend on your design goals, your budget, and how much maintenance you’re willing to commit to. I had a client assure me that she was fine with marble in the kitchen and looked forward to having that "lived-in, cooked-in" look that tells a story about the people and the meals that happened there. But her romantic story of marble countertops turned to reality when she had m e over for dinner a year later and said, "Look at all the rings on the counter!" So understanding these subtle differences not only visually but also how you plan to use and live with the material is the first step to making a stone choice that truly elevates your space.
Happy designing!
Monday, March 9, 2026
Monday, February 23, 2026
Choosing A Kitchen Backsplash: From Classic Tile to Unexpected Materials
The kitchen backsplash is no longer just a practical feature—it’s a style statement. Gone are the days of a skimpy four to six inch run of material above the counter. Whether you're contemplating a cosmetic refresh or a full-on kitchen remodel, choosing the right backsplash can completely transform the look and feel of the space. With so many materials available from timeless tile to bold concrete or sleek metals, there’s something for every style and budget.
1. Classic Tile: Endless Styles and Patterns
Tile is the most traditional and versatile option for a backsplash. Whether it’s classic subway tile, intricate mosaic patterns, or hand-painted ceramics, tile offers endless customization. The most popular choice for a tile backsplash is porcelain since it is such a durable, maintenance-free material. But you can also look at tiles of other materials such as glass, metal, or stone. Mixing a gloss and matte version of a single tile can look intriguing for the subtle play of light, but for more drama, you can mix different materials for a completely unique style. Using grout colors that either blend or contrast depending on the material and what kind of feeling you want to create offers another chance for self-expression.
2. Glass: Sleek, Modern, and Reflective
Glass backsplashes offer a sleek, seamless look and reflect light beautifully, making your kitchen feel brighter and more open. You can choose from clear, frosted, or back-painted glass in any color. A full-height glass slab backsplash (instead of just a strip) creates a bold, contemporary effect. Reverse painting (called eglomisé) offers an array of design possibilities.
3. Natural Stone: Rich Texture and Elegance
Marble, travertine, granite, and slate backsplashes bring natural texture and a sense of luxury. Each stone is unique, so you get a one-of-a-kind design. For a high-end look, I like to use the same material for the backsplash that was used for the counter top material. It makes the space feel more expansive. If however you would like to use a different material for the splash, I always let one of the materials be the star of the show. If you want to use a highly patterned backsplash, then a quieter counter top with little to no movement allows the splash to shine without creating a fight between materials.
4. Quartz: Durable and Low-Maintenance
Quartz backsplashes are non-porous, easy to clean, and just like the stone options shown above, can match or contrast with quartz countertops. They offer a seamless, polished look without the maintenance of natural stone. Make sure to buy a reputable, well-known brand that has a high quartz to binder ratio for structural integrity.
5. Stainless Steel: Industrial Meets Chic
Stainless steel is heat- and stain-resistant, easy to clean, and offers a cool, industrial vibe. It’s especially popular in chef-style kitchens. Go beyond plain panels—consider pressed patterns or a brushed finish to add depth.
6. Other Metals: Brass, Copper, and Tin
Metallic backsplashes can add warmth, glam, or vintage charm. Brass and copper age beautifully, while tin offers an ornate, old-world aesthetic.
7. Concrete: Raw, Edgy, and Modern
Concrete brings a raw, urban feel to the kitchen. It can be cast in panels or troweled directly onto walls for a seamless finish. So your kitchen doesn't feel too cold or sterile, you can combine with wood or warm tones to soften the industrial edge. (If the thought of real concrete is too much, there are porcelain tiles and quartz materials that accurately mimic the look and color of concrete!)
8. Wood: Warm and Unexpected
Wood as a backsplash is a very unconventional choice but offers incredible warmth and texture. Reclaimed wood offers a great, organic and rustic look, or try slatted panels for a sleek Mid-Century or Scandinavian style. Keep in mind however that wood is a natural and highly porous material so use around a wet area means your wood must be sealed, preferably with a marine-grade varnish to keep it stain-free. With the right sealant, this material can be surprisingly durable. Additionally, there are porcelain tiles that mimic the look of plank wood and slatted wood that will provide the same look without the worry.
I like to think that choosing a kitchen backsplash is about more than just protection—it’s a design decision that can define your kitchen's character. Whether you're going for classic elegance, modern minimalism, or something totally unique, there’s a material out there that’s perfect for your vision. If you'd like to explore these and even more options, give me a call!
Happy designing!
1. Classic Tile: Endless Styles and Patterns
Tile is the most traditional and versatile option for a backsplash. Whether it’s classic subway tile, intricate mosaic patterns, or hand-painted ceramics, tile offers endless customization. The most popular choice for a tile backsplash is porcelain since it is such a durable, maintenance-free material. But you can also look at tiles of other materials such as glass, metal, or stone. Mixing a gloss and matte version of a single tile can look intriguing for the subtle play of light, but for more drama, you can mix different materials for a completely unique style. Using grout colors that either blend or contrast depending on the material and what kind of feeling you want to create offers another chance for self-expression.
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| Black subway tile with white grout in kitchen by Corey Damen Jenkins |
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| Small stone mosaic backsplash in kitchen by Fiorito Interior Design |
| Glass subway tiles in kitchen by Fiorito Interior Design |
2. Glass: Sleek, Modern, and Reflective
Glass backsplashes offer a sleek, seamless look and reflect light beautifully, making your kitchen feel brighter and more open. You can choose from clear, frosted, or back-painted glass in any color. A full-height glass slab backsplash (instead of just a strip) creates a bold, contemporary effect. Reverse painting (called eglomisé) offers an array of design possibilities.
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| Glass sheet backsplash by Steffen Welsch Architects |
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| Glass sheet backsplash by Griffin Enright Architects |
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| Hand-painted eglomise backsplash by Billet Collins |
Marble, travertine, granite, and slate backsplashes bring natural texture and a sense of luxury. Each stone is unique, so you get a one-of-a-kind design. For a high-end look, I like to use the same material for the backsplash that was used for the counter top material. It makes the space feel more expansive. If however you would like to use a different material for the splash, I always let one of the materials be the star of the show. If you want to use a highly patterned backsplash, then a quieter counter top with little to no movement allows the splash to shine without creating a fight between materials.
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| Slab splash and counter in kitchen by Cari Giannoulias |
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| Bookmatched stone slabs in kitchen by Everage Design |
4. Quartz: Durable and Low-Maintenance
Quartz backsplashes are non-porous, easy to clean, and just like the stone options shown above, can match or contrast with quartz countertops. They offer a seamless, polished look without the maintenance of natural stone. Make sure to buy a reputable, well-known brand that has a high quartz to binder ratio for structural integrity.
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| Empira White quartz by Caesarstone |
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| Primordia quartz by Caesarstone |
5. Stainless Steel: Industrial Meets Chic
Stainless steel is heat- and stain-resistant, easy to clean, and offers a cool, industrial vibe. It’s especially popular in chef-style kitchens. Go beyond plain panels—consider pressed patterns or a brushed finish to add depth.
![]() |
| Stainless steel backsplash in kitchen by Cary Bernstein Architect |
6. Other Metals: Brass, Copper, and Tin
Metallic backsplashes can add warmth, glam, or vintage charm. Brass and copper age beautifully, while tin offers an ornate, old-world aesthetic.
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| Brass backsplash |
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| Copper backsplash by Halman Thompson |
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| Pressed tin backsplash |
7. Concrete: Raw, Edgy, and Modern
Concrete brings a raw, urban feel to the kitchen. It can be cast in panels or troweled directly onto walls for a seamless finish. So your kitchen doesn't feel too cold or sterile, you can combine with wood or warm tones to soften the industrial edge. (If the thought of real concrete is too much, there are porcelain tiles and quartz materials that accurately mimic the look and color of concrete!)
![]() |
| Concrete backsplash |
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| Waxed and sealed concrete backsplash |
8. Wood: Warm and Unexpected
Wood as a backsplash is a very unconventional choice but offers incredible warmth and texture. Reclaimed wood offers a great, organic and rustic look, or try slatted panels for a sleek Mid-Century or Scandinavian style. Keep in mind however that wood is a natural and highly porous material so use around a wet area means your wood must be sealed, preferably with a marine-grade varnish to keep it stain-free. With the right sealant, this material can be surprisingly durable. Additionally, there are porcelain tiles that mimic the look of plank wood and slatted wood that will provide the same look without the worry.
![]() |
| Wood backsplash and live edge countertop |
![]() |
| Slatted wood backsplash |
I like to think that choosing a kitchen backsplash is about more than just protection—it’s a design decision that can define your kitchen's character. Whether you're going for classic elegance, modern minimalism, or something totally unique, there’s a material out there that’s perfect for your vision. If you'd like to explore these and even more options, give me a call!
Happy designing!
Monday, February 9, 2026
History of Furniture: Queen Anne
Although I covered chairs from the Queen Anne period here, and settees here, the style deserves to be discussed in my History of Furniture series as well!
Queen Anne furniture has long stood as a symbol of refined elegance, simplicity, and the graceful transition between ornate Baroque and the more restrained Georgian styles. This beloved style has remained a staple in traditional interiors since its emergence in the early 18th century (I remember seeing tables with cabriole legs at my Aunt's house in upstate New York!). But to understand Queen Anne furniture, let's explore its historical roots—both in monarchy and design.
So who was Queen Anne? She was the monarch of Great Britain, reigning from 1702 to her death in 1714, and was the last monarch of the House of Stuart. Her rule marked a significant time in British history: the Act of Union of 1707 united England and Scotland into the Kingdom of Great Britain. Though her personal health was frail and she experienced considerable political turmoil during her reign, Anne presided over a period of significant cultural, political, and architectural change.
Despite her limited direct influence on the design world, the style that bears her name became associated with the sophistication and domestic comfort that flourished during and after her reign. Queen Anne furniture reflects the shift in British society toward more intimate, livable interiors—a stark contrast to the more ceremonial and grandiose styles that came before.
Queen Anne furniture began to emerge in the early 18th century, around 1720, but interestingly, it wasn’t called by that name until over a century later. This style grew out of the William and Mary period (late 17th century), which itself was known for more rectilinear forms and Dutch and Flemish influences that featured heavier, more angular pieces with intricate marquetry and turned legs.
As craftsmen became more skilled in working with woods like walnut (a preferred material of the time), furniture design became more refined and the Queen Anne style gained immense popularity not just in Britain but also in Colonial America, where it inspired generations of American craftsmen. The style was embraced for its simplicity, making it relatively easy to replicate with local materials like cherry and maple. The Queen Anne style is known for its delicate proportions, gentle curves, and a greater emphasis on comfort. This evolution reflects broader cultural trends: an increasing emphasis on private life, leisure, and intellectual pursuits in the home. The Queen Anne style introduced several key design elements that would become hallmarks of 18th-century British and American furniture:
* Cabriole Legs: Inspired by animal limbs, these S-shaped legs end in pad or trifid feet and are perhaps the most iconic feature of the style.
* Curvilinear Forms: Chairs, settees, and tables began to show more graceful silhouettes, with rounded backs and smooth edges.
* Minimal Ornamentation: While earlier styles favored bold marquetry and carving, Queen Anne furniture emphasized restrained elegance—favoring line and form over lavish decoration.
* Veneers and Inlay: When ornamentation did appear, it was subtle—delicate fan or shell motifs, small inlays, or the strategic use of wood grain patterns.
As I have said before in this series, if you want to discover why a certain style or movement looks the way it does, you simply need to look at the styles immediately preceding it and you will see that, generally, the style is a reaction to and against its antecedent. However, the Queen Anne furniture style represents a pivotal transition in the history of furniture design. Preceding it, the William and Mary style featured heavier, more angular pieces with intricate marquetry and turned legs. Succeeding it was the Georgian period, which would reintroduce classical influences and symmetry, especially under the later guidance of designers like Thomas Chippendale. What makes Queen Anne style so important in the continuum of furniture history is its role as a bridge: it softened the excesses of Baroque design and paved the way for a more human-centered, elegant aesthetic. It marked a shift from ostentatious display to graceful domesticity--furniture that was not only beautiful but also functional and comfortable.
Happy designing!
Queen Anne furniture has long stood as a symbol of refined elegance, simplicity, and the graceful transition between ornate Baroque and the more restrained Georgian styles. This beloved style has remained a staple in traditional interiors since its emergence in the early 18th century (I remember seeing tables with cabriole legs at my Aunt's house in upstate New York!). But to understand Queen Anne furniture, let's explore its historical roots—both in monarchy and design.
So who was Queen Anne? She was the monarch of Great Britain, reigning from 1702 to her death in 1714, and was the last monarch of the House of Stuart. Her rule marked a significant time in British history: the Act of Union of 1707 united England and Scotland into the Kingdom of Great Britain. Though her personal health was frail and she experienced considerable political turmoil during her reign, Anne presided over a period of significant cultural, political, and architectural change.
![]() |
| Portrait of Queen Anne, circa 1702 from the workshop of John Closterman |
Despite her limited direct influence on the design world, the style that bears her name became associated with the sophistication and domestic comfort that flourished during and after her reign. Queen Anne furniture reflects the shift in British society toward more intimate, livable interiors—a stark contrast to the more ceremonial and grandiose styles that came before.
Queen Anne furniture began to emerge in the early 18th century, around 1720, but interestingly, it wasn’t called by that name until over a century later. This style grew out of the William and Mary period (late 17th century), which itself was known for more rectilinear forms and Dutch and Flemish influences that featured heavier, more angular pieces with intricate marquetry and turned legs.
As craftsmen became more skilled in working with woods like walnut (a preferred material of the time), furniture design became more refined and the Queen Anne style gained immense popularity not just in Britain but also in Colonial America, where it inspired generations of American craftsmen. The style was embraced for its simplicity, making it relatively easy to replicate with local materials like cherry and maple. The Queen Anne style is known for its delicate proportions, gentle curves, and a greater emphasis on comfort. This evolution reflects broader cultural trends: an increasing emphasis on private life, leisure, and intellectual pursuits in the home. The Queen Anne style introduced several key design elements that would become hallmarks of 18th-century British and American furniture:
* Cabriole Legs: Inspired by animal limbs, these S-shaped legs end in pad or trifid feet and are perhaps the most iconic feature of the style.
* Curvilinear Forms: Chairs, settees, and tables began to show more graceful silhouettes, with rounded backs and smooth edges.
* Minimal Ornamentation: While earlier styles favored bold marquetry and carving, Queen Anne furniture emphasized restrained elegance—favoring line and form over lavish decoration.
* Veneers and Inlay: When ornamentation did appear, it was subtle—delicate fan or shell motifs, small inlays, or the strategic use of wood grain patterns.
As I have said before in this series, if you want to discover why a certain style or movement looks the way it does, you simply need to look at the styles immediately preceding it and you will see that, generally, the style is a reaction to and against its antecedent. However, the Queen Anne furniture style represents a pivotal transition in the history of furniture design. Preceding it, the William and Mary style featured heavier, more angular pieces with intricate marquetry and turned legs. Succeeding it was the Georgian period, which would reintroduce classical influences and symmetry, especially under the later guidance of designers like Thomas Chippendale. What makes Queen Anne style so important in the continuum of furniture history is its role as a bridge: it softened the excesses of Baroque design and paved the way for a more human-centered, elegant aesthetic. It marked a shift from ostentatious display to graceful domesticity--furniture that was not only beautiful but also functional and comfortable.
Happy designing!
Monday, January 26, 2026
Legends of Design: Sister Parish
When we talk about legendary designers as I do in this (semi)regular series of "Legends of Design," one name always ranks among the top: Sister Parish. With an approach that helped define American interior design as we know it, Parish was a true original--combining tradition with personality, elegance with comfort, and history with charm.
Born Dorothy May Kinnicutt in 1910, she was nicknamed "Sister" as a child, a name that would stick with her throughout her life and career. Raised in a prominent New York family, Parish was surrounded by refinement from an early age (the family had homes in Maine, and Paris as well as Manhattan!). In fact, her father collected antiques and her mother's cousin was the celebrated designer Dorothy Draper, previously here. Yet, it wasn’t high society that shaped her unique aesthetic--it was her deep love for home, storytelling, and the lived-in feel of beautiful, well-loved rooms.
She officially began decorating professionally in the 1930s, launching her firm during the Great Depression, a bold move that showed her determination and resilience especially considering that she was completely untrained and had never read a book about interior design or worked in the field in any capacity. Her big break came in the 1960s when she was chosen to redecorate the Kennedy White House, although legend has it that the working relationship between client and designer was anything but smooth with Parish saying that Mrs. Kennedy felt she did not have to pay all the design fees owed. However, her signature mix of American country charm and classical European elements brought warmth and authenticity to 1600 Pennsylvania Avenue.
In 1962, she partnered with the young and equally talented Albert Hadley, to work on the Kennedy White House--"I only did the drapes" he famously quipped. Two years later, they cemented their partnership, forming the legendary firm Parish-Hadley. Their partnership lasted over 30 years and set the gold standard in American design. Together, they created interiors that were timeless, eclectic, and deeply personal.
Their client list reads like a who’s who of American society at the time: the Gettys, Babe and Bill Paley, Brooke Astor, Betsey and Jock Whitney, Jacqueline and John Kennedy, and Sarah, Duchess of York. But it wasn't just the rich and famous who adored her work, it was anyone who loved the Parish-Hadley style that combined high and low.
Sister Parish was a master of juxtaposition. She wasn’t afraid to mix chintz with needlepoint, antiques with slipcovers, or high-end pieces with humble ones. She believed rooms should evolve over time and reflect the soul of their inhabitants. This philosophy—anti-minimalist, rich in texture, and deeply layered—continues to influence designers today.
She also helped shape a distinctly American approach to decorating: less about perfection, more about personality. Her rooms often included hand-painted floors, soft lighting, embroidered fabrics, and a sense of cozy grandeur that felt both elevated and inviting.
A 1999 Architectural Digest article described Parish's style: "Her interiors as a rule were refreshingly unstudied, unself-conscious, and unstrained...A Sister Parish room overflowed, to be sure—but buoyantly. It was romantic and whimsical but not sentimental; and, always, it was light—the rug might be Aubusson, the mirror Chippendale and the chandelier Waterford, but she undercut these "brand names" with all manner of charming distractions. Her living rooms lived: They were friendly to the world."
In 1994, House Beautiful editor Lou Gropp said, "There is no question that Sister Parish was one of the biggest influences on decorating in the United States. She dominated the decorating of the 1970s and '80s, and many of her ideas that were fresh and new in the 1970s are now in the mainstream of American decorating."
Sister stayed on as a partner at Parish-Hadley into her 80s. She passed away September 8, 1994 in Maine. Albert stayed on, running the firm until 1999. After closing Parish-Hadley, he opened his own design firm, Albert Hadley, Inc.
As you can see, Sister Parish’s legacy is more than just her iconic rooms. It’s her approach to creating homes that feel lived-in, loved, and full of life that added to the evolution of interior design
Today, the Sister Parish brand lives on. Her granddaughter Susan Crater opened Sister Parish Design in 2000, and the company sells archive and Parish-inspired designs in fabric and wallcoverings!
Happy designing!
![]() |
| Image via Sister Parish Design |
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| Image via Sister Parish Design |
She officially began decorating professionally in the 1930s, launching her firm during the Great Depression, a bold move that showed her determination and resilience especially considering that she was completely untrained and had never read a book about interior design or worked in the field in any capacity. Her big break came in the 1960s when she was chosen to redecorate the Kennedy White House, although legend has it that the working relationship between client and designer was anything but smooth with Parish saying that Mrs. Kennedy felt she did not have to pay all the design fees owed. However, her signature mix of American country charm and classical European elements brought warmth and authenticity to 1600 Pennsylvania Avenue.
![]() |
| The yellow Oval Room in the Sister Parish-decorated White House |
In 1962, she partnered with the young and equally talented Albert Hadley, to work on the Kennedy White House--"I only did the drapes" he famously quipped. Two years later, they cemented their partnership, forming the legendary firm Parish-Hadley. Their partnership lasted over 30 years and set the gold standard in American design. Together, they created interiors that were timeless, eclectic, and deeply personal.
![]() |
| Image via Sister Parish Design |
![]() |
| Image via Sister Parish Design |
![]() |
| Parish-Hadley interior, photographed by Peter Frank Edwards/Redux |
Their client list reads like a who’s who of American society at the time: the Gettys, Babe and Bill Paley, Brooke Astor, Betsey and Jock Whitney, Jacqueline and John Kennedy, and Sarah, Duchess of York. But it wasn't just the rich and famous who adored her work, it was anyone who loved the Parish-Hadley style that combined high and low.
Sister Parish was a master of juxtaposition. She wasn’t afraid to mix chintz with needlepoint, antiques with slipcovers, or high-end pieces with humble ones. She believed rooms should evolve over time and reflect the soul of their inhabitants. This philosophy—anti-minimalist, rich in texture, and deeply layered—continues to influence designers today.
She also helped shape a distinctly American approach to decorating: less about perfection, more about personality. Her rooms often included hand-painted floors, soft lighting, embroidered fabrics, and a sense of cozy grandeur that felt both elevated and inviting.
A 1999 Architectural Digest article described Parish's style: "Her interiors as a rule were refreshingly unstudied, unself-conscious, and unstrained...A Sister Parish room overflowed, to be sure—but buoyantly. It was romantic and whimsical but not sentimental; and, always, it was light—the rug might be Aubusson, the mirror Chippendale and the chandelier Waterford, but she undercut these "brand names" with all manner of charming distractions. Her living rooms lived: They were friendly to the world."
In 1994, House Beautiful editor Lou Gropp said, "There is no question that Sister Parish was one of the biggest influences on decorating in the United States. She dominated the decorating of the 1970s and '80s, and many of her ideas that were fresh and new in the 1970s are now in the mainstream of American decorating."
Sister stayed on as a partner at Parish-Hadley into her 80s. She passed away September 8, 1994 in Maine. Albert stayed on, running the firm until 1999. After closing Parish-Hadley, he opened his own design firm, Albert Hadley, Inc.
As you can see, Sister Parish’s legacy is more than just her iconic rooms. It’s her approach to creating homes that feel lived-in, loved, and full of life that added to the evolution of interior design
Today, the Sister Parish brand lives on. Her granddaughter Susan Crater opened Sister Parish Design in 2000, and the company sells archive and Parish-inspired designs in fabric and wallcoverings!
Happy designing!
Monday, January 12, 2026
Welcome to 2026! Engaging Entries, Part 9
Happy New Year followers and regular readers! Since we are "entering" a new year, it seems like a good time to check in on our ongoing series of "entries" and foyers...
Happy New Year and happy designing!
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| Celerie Kemble's entryway via AD |
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| Lavi console from Amber Interiors |
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| Palm Desert entry by Patrick Dragonette |
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| Alfredo Parades and Brad Goldfarb's home | Photo: Noe DeWitt |
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| Curated maximalism by Courtney Madden |
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| Comfy and modern entry by Studio Gild |
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| Trousdale Estate entry by Studio Shamshiri |
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| Flame-stitched fabric on wall via House & Garden Photo: Paul Massey |
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| Color and tradition in an entry by Hillary Taylor |
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| Cynthia Zamaria's mudroom entry | Photo: Janet Kimber |
Happy New Year and happy designing!
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