Three Cabinetry Door Styles To Know

When I am designing a kitchen or bathroom for a client, they are usually surprised at how many decisions are involved, sometimes small ones they never dreamed of. So many details are hiding around every bend in the remodel road, and one of the things that most people have never had to notice or think about is the style of cabinetry they want. Sure, people know they want something simple and modern, or something ornate and traditional. But there is a level beyond that we always need to explore.

The most popular door and drawer styles now are called "inset" and "full overlay."

An inset door and drawer is one that is, as the name suggests, inset into the frame of the cabinet. The front of the door or drawer is flush with the face of the cabinet, as you can see below in a recent kitchen I did for a client (previously here). The result is a sleeker, cleaner look even while using traditional Shaker doors as illustrated here.

This inset style is currently very popular, but every now and then I hear feedback from a client who thinks the look seems a little busy. They don't like being able to see not only the lines around the door or drawer but then also the face which they perceive as making more visual lines. In this case, I recommend the full overlay door style. This is where all the doors and drawers meet, so one cannot see the face frame of the cabinet at all. This style looks great with more modern slab front doors and drawers. I designed two bathrooms, seen below, that show this off beautifully.

The warm wood of the Walk In The Forest bathroom, previously here, adds a beautifully organic feeling to the minimalist slab doors and drawers, allowing the horizontal wood grain to become the feature. The full overlay doors and drawers here make the vanity feel neat and composed.

The next bathroom, which I called Dramatic (see it here) because of the deep plum wall, features a vanity with full overlay doors and drawers.

But you don't have to use slab doors to achieve a nice effect with full overlay doors. A more traditional door profile, as seen below in the Light and Airy  Kitchen, here, I designed for some clients, shows this off nicely. A Shaker door modified with a slender bead looks wonderful in this configuration.

The third option is one that most people now avoid because it gives your newly remodeled space a dated appearance. The "standard" or "partial overlay" is one where the doors and drawers are neither inset into the cabinet box nor do they meet to hide the face of the box...they are jus small enough to allow about a half inch of the frame to be seen. This is called the "reveal" and to my eye is not only dated but also has the look of a piece of cabinetry from a big box store...and such pieces tend to be poorly made. Not to put too fine a point on it, but standard or partial overlay doors and drawers make the piece of cabinetry look like the least expensive thing a landlord could buy to put into a rental unit. If you stick with full overlay or inset doors and drawers, you will have a space that looks well designed.

Happy designing!

Know Your Chairs: The Peacock Chair

The origin of the chair for this installation of Know Your Chairs is a little murky and not easily traced to a single source. The classic wicker Peacock Chair has ancestors across Asia with elements and similar shapes being woven in wicker and rattan for much of the 1800s. Extant drawings show rounded bases and seat backs, but it wasn't until 1914 that the first documented photograph of the Peacock Chair was taken. A female inmate in the Bilibid Prison in Manila is shown sitting in one and it is known that prisoners at this prison made chairs and other articles of furniture for export and that could be bought by visiting tourists. This late-stage-Victorian/Edwardian period fell in love with the Peacock Chair which would frequently be placed in a hothouse-like garden room or solarium, where this wicker throne-like chair blended in with its surroundings of parlor palms and orchids, plants cultivated for their exotic appeal. The chair seemed to dovetail nicely into Art Nouveau and into the 20s somewhat.

The chair fell out of favor in the 30s with the rise of Art Deco (previously here) and Streamline Moderne (previously here), but came back in popularity in the 60s and 70s where it found a home in a few new genres. It fit well with the hippie Flower Power culture of the time period, feeling like a piece of furniture that was both organic and ethnic. Meanwhile in a separate cultural moment in 1967, the Black Panther Party's founder and Minister of Defense, Huey Newton had his portrait taken seated in a Peacock Chair holding a spear and rifle, flanked by traditional African shields, all on a zebra rug. It was visually arresting and provocative image, and the chair came to be associated with the Black Power movement. It even showed up as Morticia Addams' chair of choice on the televisions show "The Addams Family" and as a prop for m any celebrity portraits of the time.

Dr. Huey P. Newton, photo by Blair Stapp
(Collection of the Smithsonian National Museum of
African American History and Culture)

The cast of "The Addams Family"

Al DiMeola album cover

Cher

Dolly Parton

Julio Iglesias album cover

A pair of Peacock chairs in the Manhattan apartment of fashion designer Arnold Scaasi
Photo from Jan/Feb 1977 issue of Architectural Digest

Now the chair has come back around for a revival of sorts and can found in a variety of design schemes... but clearly works best with a sort of natural, tropical, or Bohemian sense.

Photo by Brave Boutique Ltd

Happy designing!