Now that summer is officially over and we have begun our journey into autumn, it is feeling a little like fireplace weather. And over my decade of working in interior design, I have noticed that often people might speak about their fireplaces but don't know what to call parts or areas, while others use different terms for the same object. So in an effort to offer some clarity, let's walk through some of the major parts of a fireplace.
The central and most important part of a fireplace is of course where the fire itself is located, the firebox. This is sometimes referred to simply as "the box." Fireplace boxes can be lined with brick, fireclay, metal, pretty much anything that is fireproof (obviously).
The next area of importance is the hearth. This is the area in front of the firebox and it too needs to be fireproof if you have a live fire. This ensures that popping embers from the firebox will not start a fire. For this reason, a hearth needs to be at least 18" deep. If you have a gas insert instead of actual burning logs, the hearth should still be made of a heat-resistant material since many of today's gas inserts give off a tremendous amount of heat that can still cause damage.
A hearth can be flush with the floor or as close to that as possible. Or a hearth can be raised. In the case of a raised hearth, the structure can turn into a bench!
Now we come to the fun parts of the fireplace: the fascia of the mantel can be clad in a myriad of stone or tile choices (again, any non-combustible material that covers at least 6" from the edge of the firebox), and of course the mantel shelf (people often refer to this simply as "the mantel") can be wood or metal. The shelf is a perfect spot for collectibles, art, and holiday decorations. See my previous post about Mantel Inspiration for a brief overview of what can be done to incorporate rich design into your fireplace.
If you don't have a mantel, you can add a floating shelf which offers a very sleek take on a standard fireplace.
On very traditional fireplaces, the mantel sides can also feature carved or fluted panels which are referred to as legs or pilasters. And the last large piece of a fireplace is what is called the breast. This is the structure that covers the chimney and flue. This is another perfect area for some extra embellishmnet. Traditional fireplaces might feature a material on the fireplace breast that is the wall material in the rest of the room. But modern fireplaces can be clad in tile or stone, often all the way to the ceiling.
But wait, there are some areas of your fireplace that you can't see! The chimney is the structure that rises from the fireplace itself and the flue is the duct, pipe, or opening that allows smoke to rise up and out of your home. If you have a gas insert, the flue can be directed either up or off the side to vent outward but if you have a log-burning fireplace, smoke only rises, so it is imperative that your flue go straight up. You most likely also have a flue cover that allows air to flow up when opened. Because burning natural materials coats the inside of your flue with creosote (a tarry by-product of burning wood), it's good to have a professional chimney sweep clean your fireplace at the beginning of every cold season.
Happy designing!
Showing posts with label raised hearth. Show all posts
Showing posts with label raised hearth. Show all posts
Monday, October 3, 2016
Monday, February 2, 2015
From Brick To Stone: A Fireplace Make Over By Fiorito Interior Design
One of the components of a recent remodel for some clients was a fireplace in a family room/kitchen area. As you can see in the image below, the fireplace had an ugly brick face--but what you don't see is the brick mantel and floating shelves made of the same brick, removed by the contractor in preparation for a gorgeous new gold and grey stacked stone face. We also removed an unsightly pellet-burning stove that sat outside of the fireplace.
Once we picked a stacked stone we liked that had a nice amount of warm and cool colors, a pleasing rustic profile, and a uniformly slim cut...
... my client and I were able to go to a stone yard and pick out some slabs of slate for the raised hearth. We tried some of the lighter tones to see if they would play well with the gold in the stacked stone, but none of them felt right. As you can see in the finished fireplace at the bottom of this post, we chose a light grey which seemed to ground the entire façade quite well.
The end result looks so much more sophisticated yet retains a casual, organic warmth. You can see in the first photo at the top of the post that we installed some recessed ceiling fixtures to wash light down the front of the fireplace breast, to highlight the beautiful rough texture and bring out the lovely, almost sparkly gold tones.
This fireplace is adjacent to a kitchen remodel I created for my clients which will be featured here soon. Stay tuned...
Happy designing!
Once we picked a stacked stone we liked that had a nice amount of warm and cool colors, a pleasing rustic profile, and a uniformly slim cut...
... my client and I were able to go to a stone yard and pick out some slabs of slate for the raised hearth. We tried some of the lighter tones to see if they would play well with the gold in the stacked stone, but none of them felt right. As you can see in the finished fireplace at the bottom of this post, we chose a light grey which seemed to ground the entire façade quite well.
The end result looks so much more sophisticated yet retains a casual, organic warmth. You can see in the first photo at the top of the post that we installed some recessed ceiling fixtures to wash light down the front of the fireplace breast, to highlight the beautiful rough texture and bring out the lovely, almost sparkly gold tones.
This fireplace is adjacent to a kitchen remodel I created for my clients which will be featured here soon. Stay tuned...
Happy designing!
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